
Prof. Seth Herbst
Associate Professor
English and World Languages
Personal WebsiteSeth Herbst studies and teaches the relation between words and music in the early modern period, with particular interest in the poetry of John Milton and the drama and poetry of Shakespeare. He also explores later musical adaptations of Milton's and Shakespeare's works, primarily in the 19th and 20th centuries. Herbst's work has appeared in Essays in Criticism and in edited collections on Milton from Duquesne UP / Penn St. UP and Oxford UP. His first monograph, "Milton and Music," was published by Routledge in 2023. He is at work on a second book, "Shakespeare Without Words: Romeo and Juliet from Play to Ballet."
At West Point, Herbst created a new interdisciplinary course on literature and music and is a past director of the core composition course.
Ph.D.
A.M., English Literature – Harvard University
A.B., English and Music – Harvard University
Research Interests
British literature, early modern literature, Shakespeare, Milton, lyric and epic poetry, words and music studies
Current Research
Book project
Shakespeare Without Words: ROMEO AND JULIET from Play to Ballet
Selected Publications
Book
Herbst, Seth. "Milton and Music." Routledge, 2023. https://www.routledge.com/Milton-and-Music/Herbst/p/book/9781032457215
Peer-reviewed articles/book chapters
Herbst, Seth. "The Milton and Music Problem." In "Milton Across Borders and M," edited by Angelica Duran and Islam Issa. Oxford University Press, 2024. https://academic.oup.com/book/55876/chapter-abstract/439240151?redirect…
Herbst, Seth. "Sound as Matter: Milton, Music, and Monism." In "Milton, Materialism, and Embodiment: One First Matter All," edited by Kevin J. Donovan and Thomas Festa. Duquesne UP / Penn State UP, 2017. https://www.psupress.org/books/titles/978-0-8207-0702-0.html
Herbst, Seth. "Milton and Music." "Essays in Criticism" 66, no. 1 (2016): 96-116. https://academic.oup.com/eic/article-abstract/66/1/96/2367180
Reviews
"Review of Simon Smith, Musical Response in the Early Modern Playhouse, 1603-1625." "Renaissance Quarterly" 73, no. 3 (2020): 1099-1101. https://www.cambridge.org/core/journals/renaissance-quarterly/article/a…